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The results is a camera that almost blends the best bits of both high-end Canon and, dare I say it, Nikon DSLRs. By retaining the jog control wheel the camera feels unmistakably like a Canon, but the addition of the thumb control in the centre is similar to the control used on Nikon’s professional series. The EOS 60D is consequently a pleasure to use. When the handling is combined with the fast AF system and 18-million-pixel sensor, the EOS 60D really comes into its own, and the addition of the vari-angle screen is another nice touch.
Barbara’s shot is of a pair of ants eating honey, but as such it falls down slightly because the second ant is pretty out of focus. Also, the whole subject area is too Original small in the frame. Had Barbara decided instead to take a picture of an ant eating honey, with another ant in the background, her concentration on the subject may have urged her to move in a little more – or to crop the image as I have done here. The difference between her version and mine is that mine is of one ant with some background detail, while hers is of a pair of ants.
It is preferable to use the Kelvin setting option set to 3,400K, as this produces a slightly warmer image than 3,200K, which is the preset tungsten value. Of course, there is a custom white balance setting available for situations where a perfectly neutral white balance is required. 8/10 BUILD AND HANDLING There are a number of differences in the build and handling of the Canon EOS 50D and the new 60D. The biggest of these is the decision to switch from a magnesiumalloy body to an aluminium shell with polycarbonate and glass ﬁbre.