By Pamela Y. Dees, Pamela Youngdahl Dees
Designed as a realistic reference consultant for pro pianists and piano lecturers, A advisor to Piano tune by means of ladies Composers, quantity I, is an annotated catalogue of the to be had piano track in print composed by means of one hundred forty four ladies born ahead of the twentieth century. The paintings additionally beneficial properties biographies and wide bibliographical details for every composer. prepared alphabetically by way of composer into different types together with unmarried works, collections, and anthologies, the song can be defined by way of grade point, style, temper, sort features, and technical necessities, and levels in trouble from past due straightforward to virtuoso live performance repertoire. a long way too many lecturers, scholars, expert musicians, and audiences are ignorant of the contributions made via ladies in track, and of the wonder and advantage in their particular compositions. This reference paintings presents a useful addition to the present literature.
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Additional resources for A Guide to Piano Music by Women Composers: Volume I Composers Born Before 1900 (Music Reference Collection)
15/4, Op. 25/4-6, Op. 28/2; Op. 36/1–3, and Op. 54/1–2, see Single Works and Collections. Below are four very early pieces not available in other editions, and three pieces from two sets not available in their entirety. Mamma’s Waltz (WoO). Level: Early Intermediate. (F major, 3/4, 4 pp). Composed at age four, notated for her by her mother. An extended rondo with three separate but related themes in three keys of startling complexity and structural skill for a toddler. Homophonic texture, triadic melody, waltz bass, with contrasting shifts in register and numerous secondary dominants.
G-flat major, common time, adagio di molto, con gran espressione, 3 pp). The easiest of the group, a calm, simple melody is set in hymn texture, with inner voices providing forward motion on subdivisions. Melody < previous page page_24 next page > < previous page page_25 next page > Page 25 shifts to tenor voice, broadening out under the wide night sky. Sliding harmonies with many accidentals are prominent. Danse d’Arlequin Op. 65/5. Level: Late-Intermediate/Early-Advanced. (A major, 3/4-2/4, allegro con leggierezza/vivacemente, 9 pp).
Dedicated to Mme la Presidente de Fleurieu, and sold by the nine-year-old composer in her home (score preface). 35 A 36-bar theme in charmingly uneven phrases undergoes textural variations in each hand: neighboring-tone eighth notes, broken-chord triplets, an offset, syncopated melody, and a 16th note Alberti bass. Tempo, theme length, and key remain constant throughout. Although included in an anthology for harpsichord, the piece is delightful on the piano. Women Composers: Music Through the Ages, Vol.